流浪女
Like his fiery study of a popular milieu in Fièvre, Louis Delluc's early masterpiece of impressionist cinema, La Femme de Nulle Part, is almost impossible to see outside of rare archival projections in Paris. Shot in natural settings, and stripped of all that is not cinema, Delluc's psychological drama featuring symbolist muse Eve Francis is an experiment in 'direct style.' A fascinating study in the relationship between past and present, memory, dream and reality, this revolutionary film would be a source of inspiration for successive filmmakers, from Francois Truffaut to Alain Resnais.
搏击人生
独行侠
欧索多
别人的孩子
驭影师
优雅女子
我没病
海神号
我们俩
护工故事
祖鲁战争
皇庭争霸